Showing posts with label Nashville TN. Show all posts
Showing posts with label Nashville TN. Show all posts

Wednesday, February 12, 2014

Joel Fendelman - Nashville, Louisville, Augusta

The latest update from filmmaker Joel Fendelman, touring his film David:

Scarritt Bennett Center
My first Day off was fantastic, it was spent in Nashville, Tennessee. I found this old women's missionary training center called Scarritt Bennett Center which has since been converted to a retreat center with inexpensive, peaceful rooms. I was fortunate to go to the BlueBird cafe to hear some of the best singer song writer music I have heard in a while.

Clifton Center
My next stop was Louisville, Kentucky where my film was shown at the Clifton Center, another beautiful historic building. It was a cold, snowy night but a good 20-30 people bared through the cold, all very appreciative of the film. We had a wonderful talk back afterwards.
Clifton Center

After Louisville was Augusta, Georgia where I am now. The storms have come in even stronger and there is about 2 inches of snow on the ground. This started last night near the time of the screening at the Morris Museum. We weren't even sure anyone would show because there were emergency warnings on the news. But as we neared the screening time, a handful of brave, committed souls showed up. It was a small but intimate showing. Kevin Grogan, the museum director introduced me and we had a passionate talkback after the showing.
Morris Museum of Arts

Now I'm siting in the beautiful Lookaway Inn, preparing for the drive tomorrow to screen at the Wallace Community college in Hanceville, Alabama.
Me and Kevin Grogan at the Morris Museum of Art

Augusta

Saturday, February 13, 2010

Music City, USA


29 and holding:  sweet Jesus, it's cold here in Nashville.  

First stop:  The Ernest Tubb Record Shop, where I elbow out some Swedish tourists to nab Conway Twitty Rocks.  Then across Broadway to Hatch Show Print, where massive Vandercook presses roll out smack-your-face, hard-edge posters that tout everything from strip shows to academic conferences, and ballyhoo everyone from Mother Maybelle Carter to Thomas Mapfumo.  

Tool down Music Row, headed for Vandy: Past Great Escape, Chet Atkins Place, Roy Acuff Place.  (Blaring out of the Pontiac's speakers: "Lonely Blue Boy"   recorded:  7/24/61 @ Owen Bradley's studio, 16th Ave S., Music City, USA  Vocals:  Mr. Harold Lloyd Jenkins; on guitar, Grady Martin; on piano, Floyd Cramer; and on drums, Jack Nance -- later in life, best known as the star of David Lynch's ERASERHEAD.) 

Beneath Vanderbilt's staid chilly red brick exteriors, lots of heady conversations. Legendary writer Peter Guralnick waxes poetic about Sam Cooke's producing work; a demure English prof offers insights on Stan Brakhage, Jonas Mekas, and Latin American cinema; Eric, an expert dancer, still young, talks about having to hang up his toe shoes.  And film prof Will Akers (who could be a stand-in for Sam Shepard) regales me with an old Hollywood story that would make Robert Mitchum blush.  

The students ask about film schools, narrative through-line, crew dynamics, music post-production, shooting with the RED camera . . . and how to land a job.  Sitting at the bar with Laura and Demelza, I hear tell that my new doc short will screen at the Nashville Film Fest.  

(Bless you, Mr. Brian Owens.)

Barbeque at Jacks, then back to the airport, where the lovely young Ethiopian women behind the counter ring me up while chatting about Goo Goo Clusters. 

Friday, November 13, 2009

Nashville


Saw Jack White at the airport. Was called a glue sniffer in a bad Broadway cowboy bar. Overheard a derelict man tell a middle-aged woman in heels "I ain't seen legs so close together since I had my last bucket of churches friend chicken." Ladies, this is as good as complements get.

Nashville was lovely and Vanderbilt was wonderful. Thanks to JoEL, Sarah, Wolf, Ashley, and all the fine folks that made my stay more than pleasant. The biggest treat was hearing from Vikrant Sahasrabuddhe an Assistant Professor at Vanderbilt's Institute for Global health who had previous had the honor of seeing Dr. Dicksheet operate in India almost a decade ago.


Just pulled into to Alexandria, and am not going to lie that I might have upgraded my rental car to a mustang. It is bright red. I figured you only drive through the south once.

Also we have been in the news...
There was a full page spread in the the Nashville Scene.
And we were on the TV in Alexandria and had a nice interview in the Town Talk.



See bigger and more photos from my trip here:
http://bit.ly/4FLH01

Wednesday, October 21, 2009

Southern Circuit Film Tour - Day 1 & 2...

"This is not our honeymoon..."
Aron Gaudet

This was Gita and I on Friday...



That's right, we got married on the coast of Maine (notice the paparazzi chasing us?), and two days later we were in Nashville, TN. The Southern Circuit Film Tour happened to fall directly after our wedding, and so although we made it very clear to each other that "THIS IS NOT OUR HONEYMOON!", the trip definitely has a weird honeymoon vibe to it all.

Day one took us from the Bangor International Airport (where much of The Way We Get By takes place) to Nashville and Vanderbilt University. This is the first year the folks at Vanderbilt have taken part in the Southern Circuit Film Tour-- so that means we're even. It meant maybe a slightly smaller crowd than normal, but definitely a group of people that would probably otherwise never have the opportunity to see our film in a semi-theatrical setting. And even though we were screening at a university, the crowd was littered with people of all ages, so the word apparently had spread beyond the campus. All in all a successful screening.

Gita and I love a good breakfast place, so day two started with us trying to choose between the Loveless Cafe and The Pancake Pantry-- 2 local favorites that everyone seemed to recommend. The choice was made easier when we discovered The Pancake Pantry was less than a mile away. We drove up to find a long line waiting outside on a Tuesday morning!! This place had to be good right? The line moved quickly and Gita and I were soon experiencing the best pancakes either one of us has ever had... we're still talking about them. Let's hope the pancakes on day two are not the highlight of the trip, but you've got to start somewhere.

After the best pancakes on earth, we set out for Bowling Green, Kentucky for our screening at Western Kentucky University. It's a little over an hour north of Nashville and the scenery is exactly what I would expect driving from Tennessee into Kentucky-- rolling fields and farms, old weathered boards holding up barns that looked like they should collapse, but somehow were still standing. Just beautiful countryside for a drive.

We made it to Bowling Green and to our screening to find a bigger audience made up primarily of students. We always like showing the film to a younger audience because everyone assumes that The Way We Get By will appeal more to senior citizens and baby boomers, but what many people forget is it's young men and women on the other side of the handshake, heading to war or returning home, so a university campus is filled with people that have brothers or sisters or friends that have been through Bangor and met the troop greeters. Last night was no exception, as a student approached us after the film to tell us he had been deployed through Bangor and remembered meeting all three of the subjects from the film-- especially Bill who is always the first in line to greet the troops. Everywhere we go it seems the Maine Troop Greeters have made their mark in some way. It was reassuring to know Bowling Green was no different.

Coming up... Day 3 & 4 are rest/travel days so we're working on something fun to do before heading to Alexandria, LA for our next screening on Friday. Keep reading.