Monday, November 23, 2009

Like the end of a good Western


So I am back in NYC (aka the Wild Wild East.) The trip is over but like all good Westerns, there were good guys, bad guys, and beautiful women. Lessons learned and guns drawn. As a stranger once said "sometimes you eat the bar and sometimes well the bar eats you."


Below are morals from the road:

Mark a network sound recordists that I met in Durham warned me about love.
Don't be like all my cameramen friends, who falls in love with a woman's face and then realize later that her heart was bad.

Bob a law professor in Delaware/underwater shipwrecked explorer, who sat next to me on a plane to Alexandria, boosted about lust.
At 5am every woman on Bourbon St is beautiful, the bayou's morning light does special things.

Brenda who sells chemical insulation for underground wiring enjoyed flaunting her sexuality while chatting with me on the way to Atlanta.
I am a middle aged woman who still wears a short skirt and knee high boots, my husband loves to hear stories of men picking me up.

In the 9th ward Steve and Jim fished for Thanksgiving gumbo while sharing the most important life saving information of the swamp lands.
I will always take my chances with the gators. Gators will bite your hand off, a poisonous water snake will kill you in 20 mins.

Nick a forensic specialist based in North Carolina confided in me during my plane ride back to NY.
If you are planning to deal drugs, only sell prescription. It is very hard to convict you of trafficking.



Thank you to Allen Bell and everyone at the Southern Arts council that made this trip a reality. Thank you to everyone who gave me a meal, and a smile, and a story. These are things that will be hard to forget.

Buy FLYING ON ONE ENGINE on DVD:
http://bit.ly/4u4GiO

I took 1,362 photos during this trip, here are a couple:
http://bit.ly/4FLH01

Also tour posters are still available if you make a contribution to Dicksheet's charity: Contact me fooefilm (at) gmail (dot) com.

You can read all my previous posts below:
Flying On One Engine Tour Begins on Tuesday (November 04, 2009)Bowling Green (November 12, 2009)
Nashville (November 13, 2009)

Louisiana (November 15, 2009)
Heart of Dixie (November 18, 2009)
White Noise (November 20, 2009)

Friday, November 20, 2009

White Noise


The people of Jackson, Clemson, and Cullowhee are hungry. In the last 3 days there were packed rooms of passionate students desperate to see something real. After a quick google here are some remarks from the chorus:

On Twittter jinxlovesrhps from WCU said the film was "#recommend". Just so you guys know a hashtag(#) is a big compliment on the 2009 world wide web.

On Blogspot Abubn's Art-like Things wrote:
"This was one of the best films I have seen here at Millsaps since I've been here. That's about 3 semesters. 'Amazing' seems to be too pale of a word for the documentary; it showed the good, the bad, and the indifferent. Thank you. Thank you for showing this, Millsaps."


On Wednesday I spent 8 hours in airports, and arrived into Clemson ten minutes before the film was finished to walk into a room of over a hundred eager students.


This is a photo of a paper plant in Cullowhee, NC. It reminded me of The Airbone Toxic Event in Don DeLillo's White Noise.

Sadly my last screening is tonight in Durham. Hopefully I will see some of your smiling faces this evening.

Wednesday, November 18, 2009

The Way We Get By Crew at the White House


Our blogs are coming slow but they are coming.

In October, we were fortunate to get a special tour of the White House and a 30 minute meet and greet with Vice President Biden. It was a wonderful opportunity for Bill, Joan, and Jerry to talk with the Vice President about their love of troop greeting. And the Vice President talked with all of us about his son's journey of service in the military. It was a very emotional meeting for us all and one we will never forget.

We would like to thank the White House team for giving us this wonderful, lifetime opportunity!

Two Towns of Madison

Madison Morgan Cultural Center, in Madison, Georgia drew a crowd for the screening on Monday night. It had a small town feel. Everyone seemed to know each other. There was a warm, neighborly thing in the air. As far as my eye could tell, everyone was white (eyes and assumptions don't always tell the whole story). I'm happy any which way an audience goes in terms of demographics, because the dialogue is needed every which way. And we did have great discussion of the issues the film raises. But it still struck me, because the Director of the Center shared with me that she'd done outreach to black organizations in town. As an outsider, I obviously don't know the in's and out's of it all, but I couldn't help wonder: Was the lack of turn out from Madison's black community a good barometer of race relations in town? Did it reflect a fundamental lack of trust and comfort by black Madisonians in talking with white Madisonians about the history and legacy of slavery? Was it skepticism, upon reading a blurb about Traces of the Trade that the film would present things in a way that validated their realities? Was it too painful a subject to want to deal with on a Monday night, too close to home? Was it the fact that the event was hosted by an organization that is probably thought of as "white"? All of those would be sadly understandable and common reasons. I spoke with a woman at the reception after the screening and she said, in so many words: "We're just totally separate, totally, totally separate. It's like the 1950's here." At the post office in the morning I noticed that every African-American person who came in said hi to every other black person who was also there, getting their mail, dropping something off. It had that same small town feel. Warm, friendly. But a separate town. Two towns within a town. Not particular to Madison. There are so few places that AREN'T like that. It reminded me that what it takes to loosen things up is a real effort, a big effort, a concerted effort, long-term effort. And people are busy. So life goes on. But as the woman at the reception and I agreed, everything starts with a small step.

Heart of Dixie



Last night November 16th 2009, Flying On One Engine was the 4th best grossing film in Montgomery Alabama! It even beat the John Cusak blockbuster 2012 in one theater. Flying ranked the 4th most watched film of 35 screens in all of Montgomery.

Also in attendance was Morris Dees the co-founder of the Southern Poverty Law Center, he was the man behind successful multi-million dollar suits against the KKK, Aryan Nations, and you-name-the-hate-group. Later that evening at his security detailed house we sipped bourbon and talked about filmmaking.

Thanks to Martin for his tour of the one block that Rosa Parks road the bus and the typo on Hank Williams grave. Also big appreciation for the great hospitably from Jim at the Lattice Inn.

Down on the delta we had a real party at the public library. Charlie and the Mobile Arts Council were wonderful.


Now onto a new section of the blog, brief interviews of people I meet...




Vanessa a California native, who has been living in Alabama for almost a decade is still called a Yankee. According to her people come to Alabama to die, she has seen the proof. Her husband was fine when they moved here, now he needs the assistance of a walker, also one girl at her work just died of a heat attack. For all her complaining, she had a fine disposition and maybe she was just frustrated that morning while we chatted.



Fionna might look like a Southerner, but today she explained that she was gay. And not gay as in a homosexual (this comment had everyone at the Lattice Inn laughing like a bunch of third graders.) She was gay, as in a form of happiness that can not be explained in any other terms. Fionna also told me the unbelievable story of moving to North Carolina from Scotland so her architecture husband could design banks as a front for a drug runner. This same drug runner later bugged the IRS.



Music was made to be played loud in fast cars with bass so deep you feel it from a block away. Revisiting my music collection has been one of my favorite parts of the trip. Official mix-tape might be posted at the end of the trip.

Current listening:
The Go! Team - Thunger, Lightning, Strike
Justin Timberlake - FutureSex/LoveSounds
Radiohead - In Rainbows
Spoon - ga ga ga ga
Wilco - Yankee Hotel Foxtrot



See bigger and more photos from my trip here:
http://bit.ly/4FLH01

Monday, November 16, 2009

Deep North Meets Deep South

From Katrina Browne
Sunday, November 15, 2009

I’ve had my first two screenings, in Spartanburg, South Carolina, and Fitzgerald, Georgia. They generated some really great discussion. I particularly appreciated how the folks in Spartanburg took me up on my asking them to talk to each other in the Q&A, not just to me. And many of them signed up to keep talking to each other after I’m gone. That’s what it’s all about!

What’s been most striking for me has been what I’ve seen outside the theaters. Being a “Yankee” who works on issues of race/racism, who hasn’t spent much time in the South, especially outside of major cities, I can’t help but be stirred up by being here, with a whole conflicting set of emotions. It’s intense to see cotton fields for the first time, it’s intense to see Confederate statues, it’s intense to drive on country roads that I associate with bad things happening during the civil rights era.

It’s most intense to have just gone to my first Civil War battle reenactment. I was confused about the basic question, so I asked someone: “Who plays the Union soldiers (“Yanks”)?” I had the strong impression from all the Rebel flags on cars and clothes and tents that folks who came to this were Confederate soldiers at heart. Turns out that most reenactors have both uniforms, so down here, they take turns with the disappointment of having to play a Yankee soldier. One guy confirmed to me sarcastically (I think) that he was racist, but he felt that black people are too. His view was that black folks don’t want to work, they just want hand-outs and that if you complain about that as a white person, you’re called racist, so that’s racism against whites. Didn’t seem like the best moment to get into technical definitions (prejudice + power = racism). He might not think he has power.

It’s all so loaded (pun intended, having just watched rifles and cannons prepared for firing over and over). The stereotypes are so deep all the way around. I’ve been trying to let go of some of mine. Because there’s no denying that as a Northerner I carry a fundamental stereotype that when I’m speaking to someone white with a Southern accent, they must be racist. It’s like the accent and racism are melded in my unconscious. So I’ve had to reorganize my brain as I talk to people here. I said to a kind man who came to the screening in Fitzgerald yesterday: “So we Northerners tend to assume that any white Southerner who holds onto ANYTHING about the Confederacy, must be motivated by racism, and when y’all (I’m adapting) say that it’s about Southern identity or Southern pride, we just think to ourselves ‘yeah right, that’s just an excuse.’ But now that I’m here and I’m thinking about it, I’m realizing that there is something legitimate about wanting to hold onto an identity, especially after being vanquished in war.” “Is that right?” I asked him. “Yes,” he said.

I want to throw in all kinds of caveats right away, to appease anxious readers of the anti-racist persuasion. There are certainly committed racists among those who hold onto a Confederate identity. But that’s not everybody. While I’m new to really contemplating this, I know there must be many white Southerners who’ve grappled with how to have Southern pride without the racism that can be interwoven. And there is something about being in the “power position” of white Northerner that has those of us in that category just so self-righteous and smug, so much so that we’re not still fighting this war consciously (we don’t need to, we won), while many Southerners are. Literally, here today.

A pastor at the Baptist church I went to this morning explained that during the 60’s his father said, “This change needs to happen, but you watch, there’s going to be explosions in the North too.” He told me that the major white backlash against busing in Boston happened shortly thereafter. “It wasn’t that the South didn’t have work to do, we just weren’t the only ones.”

Fundamentally, I’m deeply re-convinced that we need to talk. Boy do we need to talk. I had so much I wanted to say to the man who was complaining about blacks playing victim (the battle started before we could finish). I also would have had some listening to do. There’s so much to sort through. There are old stereotypes about “lazy black people” at play. There are also funky things that are really hard to talk about. Like the idea that you can never say anything negative about an African-American person or community without being called racist. Our relations are so fragile and tenuous in most parts of this country that we just don’t know how to talk about our messed up dynamics and the real suffering that lies behind all the words. I’ve been trying to imagine that everyone I talk to is a good person at heart.

I’m all stirred up.

Rhino Wrapup

All good things must end. The final gig at Blake Library in Stuart FL was a good one to go out on. Big crowd of 100 or so. Lots of vibrant retirees (this is FL), but other ages too. Middle of a sunny, warm Sunday afternoon, so I availed myself of the internet in the library garden while the film was playing, and jumped in the ocean afterwards. Surf was waaaay up. Water warm. A parallel existence that will seem weird as I fly back to Chicago, where it could snow any day. Thanks for the time-out, Southern Circuit. It's not just the warmer climes, but the novel venues, the engaged crowds, the interaction, and the time for reflection while driving to the next show, that make this my favorite thing to do with a new film. This is my third circuit, and I enjoy it more each time. Hope to be back.
over and out,
David E. Simpson

Sunday, November 15, 2009

Louisiana



Tired. I don't want to sound weak, but its only 8:30 pm and I don't even feel like crawling out to the bar in my hotel. The last two days have only felt like a minute. I spent 20 hours in Alexandria and 16 hours in New Orleans.



Alexandria had a nice crowd and I had the honor of staying at the famous household of Nicole and David Holcombe. If you don't know why it is so famous, you are missing out. Please notice David's Saturday morning dance attire.



Spent this morning in the 9th ward. I guess people are drawn here for the same reason they are drawn to the ground zero memorial. I met two fine Viking fans who were canal fishing with frozen chicken legs for Thanksgiving crabs. More good news is a brand new Walmart is being built in the St. Bernard Parish.

Updated music list:
NPR All Songs Considered - "The Decade in Music Defined"
LCD Soundsystem - "Sound of Silver"
The Rolling Stones - "Exile on Main Street"

And HEY David, met you in IDFA last year. Big fan of you and Mr. Longo!




Bigger and more photos from my trip:
http://bit.ly/4FLH01

Some people have been requesting my podcast with Allen Bell, you can listen to it here:
http://bit.ly/44k1nr

Saturday, November 14, 2009

MILKING THE RHINO barnstorms AL, GA and SC (again)



Well have I been the delinquent blogger!. I’ll try to make small amends quickly..
When we last left our hero he was driving headlong into Ida. I think I hit her right around the Alabama border. Fortunately she’d tapered off to a standard-issue deluge. Only side effects were some stressful driving and some Southern weather worse than that in Chicago. Allen, next time on the circuit I’m going back to March!
Auburn was a treat and a half. Hardly any time to see the town. But the beautiful, intimate screening room at the new-ish art museum had some of the best acoustics (and pretty nice image too) of anyplace I’ve ever screened. When audio and image are this good, I get to remember all the blood, sweat and tears that went into preserving every bit of technical juice we could during finishing (Thank you Liz Kaar!!!!) Many of those details are lost at so many screenings, but when they’re there, it’s easy to feel that all the pain was worth it. The audience was super engaged and engaging; and when the long-running Q&A bumped up against the limits of the poor security guard who’d been there since 7am, a woman in the crowd invited us to her home nearby for a post-screening soiree. Fed me dinner and whisky too! I could get accustomed to this southern hospitality thing. My bad for not thinking of taking out my camera, or I’d share my new-found friends.
Backtracked the next day (through post-Ida again) to Augusta, GA. The grand Imperial Theatre, which opened in early 1900s with Charlie Chaplin, hosted the next show. My theory about the inverse ratio of room size to crowd size was borne out here: by far the biggest theater and the smallest crowd. Still, very enjoyable thanks to Rick Pukis (a former Chicagoan who teaches at Augusta State Univ) for bringing some of his film production students. Plus the BIG screen and BIG sound is always fun.

Which brings me to Thursday night’s unique event at the art museum/planetarium at South Carolina State. First (and last) time I’ve ever seen my film projected on a planetarium ceiling. Gave me a bit of a neckache but the novelty was certainly worth it. Here’s where my room size/crowd theory collapsed. It was a small room, but mostly filled with students from this historically black college. It’s been one of my constant complains with RHINO screenings, that we made a film about Africa but we’re drawing relatively few African Americans to come see it at state-side screenings. So this stop on the tour was gratifying. The discussion was great. And afterwards another real treat: museum director Ellen Zisholtz took us on a tour of exhibits AND the archive. Got to see not only James Brown’s clothing, but recent donations of some amazing African artifacts, Plus a collection of original Polaroids that Andy Warhol took as studies for his celebrity portrait prints. What an amazing job that Ellen, Harriet Hilton, and the rest of the staff are doing at this very cool place.

Me with IP Stanback Museum & Planetarium director, Ellen Zisholz


Spent part of the off-day today yesterday hiking in the Congaree National Park, to flex the legs and add some nature to my culture.

I feel like a horse smelling the barn. Just two shows to go, and I’m looking forward (I hope) to the warmth of Florida. Tonight: Jacksonville, tomorrow, further south to Stuart.
Also, HELLO to Joshua Weinstein with whom I can see I’m now sharing the blog. I saw your film at DocReview in Warsaw, Joshua. Welcome to the tour!
Over and out
-David Simpson

Friday, November 13, 2009

Nashville


Saw Jack White at the airport. Was called a glue sniffer in a bad Broadway cowboy bar. Overheard a derelict man tell a middle-aged woman in heels "I ain't seen legs so close together since I had my last bucket of churches friend chicken." Ladies, this is as good as complements get.

Nashville was lovely and Vanderbilt was wonderful. Thanks to JoEL, Sarah, Wolf, Ashley, and all the fine folks that made my stay more than pleasant. The biggest treat was hearing from Vikrant Sahasrabuddhe an Assistant Professor at Vanderbilt's Institute for Global health who had previous had the honor of seeing Dr. Dicksheet operate in India almost a decade ago.


Just pulled into to Alexandria, and am not going to lie that I might have upgraded my rental car to a mustang. It is bright red. I figured you only drive through the south once.

Also we have been in the news...
There was a full page spread in the the Nashville Scene.
And we were on the TV in Alexandria and had a nice interview in the Town Talk.



See bigger and more photos from my trip here:
http://bit.ly/4FLH01

Thursday, November 12, 2009

Bowling Green (111109)


Last nights screening left the entire room in tears. Maybe the crowd was small, but the emotions were vivid. Bowling green is a quaint town, thanks Stephen, Marjorie, and Dustin for being wonderful hosts.


Current driving music includes...
Jay Z mix from first 5 records
Sufjan Steven - Greetings from Michigan: The Great Lake State
Sufjan Stevens - Seven Swans
Wilco - Sky Blue Sky
Why - Alopecia

See bigger and more photos from my trip here:
http://bit.ly/4FLH01

Wednesday, November 11, 2009

Southern Circuit Welcomes Katrina Browne and "Traces of the Trade"


Southern Arts Federation welcomes Producer/Director Katrina Browne with her engaging documentary film "Traces of the Trade: A Story from the Deep North." Katrina will be on the 2009-2010 Southern Circuit Tour of Independent Filmmakers beginning Thursday, November 12, at The Arts Partnership of Greater Spartanburg in Spartanburg, South Carolina, and concluding on Wednesday, November 18, at the RiverCenter for the Performing Arts in Columbus, GA. Along the way, the film will also screen at the Historic Polk Theatre in Lakeland, FL; The Grand Theatre in Fitzgerald, GA; and the Madison-Morgan Cultural Center in Madison, GA.

More about Katrina Browne, "Traces of the Trade," and the tour schedule

Web site for "Traces of the Trade: A Story from the Deep North"

Audio interview with Katrina Browne

Tuesday, November 10, 2009

MILKING THE RHINO’s southern road show continues….
On Sunday, the Peace Center in Greenville, SC was the scene of a well-attended screening followed by a panel discussion. I was joined by Kristen Austin, Southern Blue Ridge Project Director at the Nature Conservancy; and also by Dr. Rob Baldwin, who teaches in the dept of Forestry and Natural Resources at Clemson. It’s great to share the stage with conservation folk, to whom I can deflect questions more in their purview. Kristen made the point in the discussion that we in the developed world tend to think of conservation as a peripheral luxury that we attend to once our basic needs are met. Whereas the film points to how natural resource conservation is inextricably bound to the life/death economics of a society. That may be more viscerally evident in rural Africa, but it will only become truer for us as climate and population pressures exacerbate environmental issues.
Monday brought me to Columbia, SC, an unofficial stop on the tour, at the invitation of David Whiteman, principal faculty of the Green Learning Center at the University of South Carolina. He’d shown the first 15 minutes of the film to his undergraduate class in Sustainable Futures, and had them write about it. It was fascinating to read their blogs, which summarized community conservation in a simple, straightforward way– and then to see how their understanding deepened after seeing the remainder of the film during my visit.
In other MILKING THE RHINO-related communications….
I got an email this morning from John Kasaona (our main character in Namibia). He extends his appreciation for the way in which MTR is making his world visible to the rest of the world, and adds, “This is not a movie, this is real; this is what is happening on the ground.
And… MTR originator and co-producer Jeannie Magill has brought to my attention a really exciting initiative at Penn State, inspired by the film: the inaugural MILKING THE RHINO Innovative Solutions Showcase: http://mtrsolutions.weebly.com/
We’re humbled and honored by this event. It’s so rewarding to see RHINO bearing fruit, or I should say planting seeds of new fruit, at universities.
Tomorrow I steer the car towards Auburn, AL; and I am told my arrival should coincide with that of tropical storm Ida. Shoulda packed that raincoat…
Til later….

Monday, November 09, 2009

Southern Circuit Welcomes Joshua Weinstein and "Flying on One Engine"


Southern Arts Federation welcomes Producer/Director Joshua Z. Weinstein with his fascinating documentary, "Flying on One Engine," on the 2009-2010 Southern Circuit Tour of Independent Filmmakers beginning Tuesday, November 10, at Vanderbilt University in Nashville, Tennessee, and concluding on Saturday, November 21, at the Center for Documentary Studies at Duke University in Durham, North Carolina. Along the way, the film will also screen at Western Kentucky University in Bowling Green, Kentucky; the Arts Council of Central Louisiana in Alexandria, Louisiana; the Mobile Arts Council in Mobile, AL; the Capri Theatre in Montgomery, Alabama; Millsaps College in Jackson, Mississippi; Clemson University in Clemson, South Carolina; and Western Carolina University in Cullowhee, North Carolina .

More about Joshua Weinstein, "Flying on One Engine" and the tour schedule

Web site for "Flying on One Engine"

Audio interview with Joshua Weinstein

Saturday, November 07, 2009

Ocean Springs, MS... and the Big Easy

My first full day in the South started with a tip from the Baton Rouge hotel clerk: Beniets for breakfast. A hot, deep fried pocket (kind of like a sopapilla, for those more familiar with southwest cuisine) dusted with powdered sugar. So much sugar that exhaling on your beniet covers the table in white powder. A $2 order consisted of three of these puppies. Here's the one that travelled half a day with me and only got better when the sugar started to crystallize.


I got off the interstate for much of the drive down to Ocean Springs, MS. Slowed down on the two-laner and stumbled on some nice folk art at a muffler shop...


The screening at the Mary C Okeefe Cultural Center in Ocean Springs was lovely. Bigger crowd, totally devoted to the subject in the Q&A. I basically had to kick them out of the theater so we could adjourn to yummy thai food and wine in the lobby.

The next morning, an off-day, I stopped by the coast in Biloxi, MS so I could stick my feet in the warm gulf. Found myself across the street from a new Frank Gehry art museum under construction.

The last part of the day was spent I spent with my good, childhood friend, Chris Idzik, a master teacher from Massachusetts, who's spending a year working in a newly re-0pened school in New Orleans. Was the first time I've been to the Big Easy. From still-devastated sections of the Ninth Ward, to the very-much recovered French Quarter, it left quite an impression. The last pic is of Chris and me at the final stop, an all-night diner.


Onward....

Thursday, November 05, 2009

Hello Southern Circuit!

It feels superb to be back on the tour. Been twice before with other films, but never on this route, so I'm looking forward to new cities and new venues.

Started out in Baton Rouge last night. The Manship Theater, in a new arts complex downtown, is a gem of a room - I'd love to hear music there. The audience was small but enthusiastic; every one of them stayed for the Q/A. Normally, I like to stay for the screening because I like to feel the vibe in the room. But being a baseball fan, I snuck away to a bar down the street, Boudreaux & Thibodeaux, to watch the 6th game of the world series. I figured one beer wouldn't hurt. But it happened that the bartender was a baseball fan (in a football town), so faster than you can say Hideki Matsui, he'd placed a second pint in front of me. Not sure how cohesive I was at the Q/A, if people were staring at me with incomprehension, I didn't notice. And most stuck around afterwards to talk more. Plus the Yankees won (not sure how I found myself rooting for the Evil Empire this year, but not much to love about the Phils). All in all a solid beginning to the tour.

Well, this will be a short first post, because there's Louisiana sunshine and warmth outside this hotel window. When you're coming from Chicago in November, that's not to be missed!

Wednesday, November 04, 2009

Flying On One Engine Tour Begins on Tuesday



I can't wait to get out of NYC and onto the highway. I have been to about 37 states and the 13 I am missing are almost all included on this journey. Basically all I am going to bring is a change of clothes, a couple of books, and my camera. Hoping to meet a lot of new friends on my way. If anyone wants to show me around please email me at fooefilm (at) gmail (dot) com.

Above is a new tour poster created by the phenomenal phenom that is Lilah Montgomery. We are going to be selling these hand printed limited edition posters on the road and all proceeds go to Dicksheet's charity.

See you in the south soon!

Monday, November 02, 2009

Southern Circuit Welcomes David E. Simpson and "Milking the Rhino"

Southern Arts Federation welcomes Producer/Director David E. Simpson who will be on the 2009-2010 Southern Circuit Tour of Independent Filmmakers with his highly acclaimed documentary film "Milking the Rhino." Simpson's tour begins on Wednesday, November 4, at Manship Theatre in Baton Rouge, Louisiana, and concludes on Sunday, November 15, at The Arts Council, Inc. in Stuart, Florida. Along the way, the film will also screen at the Mary C. O'Keefe Cultural Center in partnership with the Walter Anderson Museum of Art in Ocean Springs, MS; the Customs House Museum in partnership with Austin Peay State University in Clarksville, TN; the Peace Center for the Performing Arts in Greenville, SC; the Jule Collins Smith Museum of Fine Art at Auburn University in Auburn, AL; the Imperial Theatre in Augusta, GA; the I.P. Stanback Museum and Planetarium at South Carolina State University in Orangeburg, SC; and the Fine Arts Center at the University of North Florida in Jacksonville, FL.

More about David E. Simpson, "Milking the Rhino" and the tour schedule

Web site for "Milking the Rhino"

Audio interview with David E. Simpson